The video installations, wall paintings, and performances by New York-based artist Oliver Lutz deal with transcending desires of power, control, and disintegration through a deconstruction of the artist’s mental model.

Oliver Lutz @ Artspace (San Antonio, TX):

Opening Reception and Walk-Thru: Oliver Lutz
May 08, 2008
6:30-8:00 p.m.

Brown Bag Lunch: Oliver Lutz
June 11, 2008
Noon-1:00 p.m.

Abel Auer, David Henry Brown Jr., Wilfredo Chiesa, Codemanipulator®, Wincenty Dunikowski Duniko, Kinga Dunikowski, Teo Freites, Marc Grubstein, Maria Hamprecht, Ivelisse Jiménez, Charles Juhász-Alvarado, Dorota Jurczak, David Krepfle, Vasia Markides, Antonio Martorell, Dirk Meinzer, Arnaldo Morales, Lucienne Pereira, Ana Rosa Rivera Marrero, Jorge Roman, Steve Schepens, Erik Guzmán Shorrock, René Spitzer, Sis Taggman, Daniel Tschernich, space1026.com, Vargas-Suárez Universal, Carlos Valencia, Anke Wenzel

April 11-14, 2008

Preview Friday April 11: noon-4 p.m.
Saturday April 12: noon-10 p.m.

*5 p.m. BBQ
*6 p.m. performance Steve Schepens

Sunday April 13: noon-6 p.m.

Venue: Calle Hipódromo 610, Santurce, San Juan

Presented by:

Brot und Spiele (Berlin) Gartenstraße 2 10115 Berlin www.brot.undspiele.com
Cr3ma (San Juan) Calle Sol 102 Old San Juan 00901 www.cr3ma.com
Galería Candela (San Juan) 110 San Sebastián, Old San Juan 00901 www.casacandelahotel.com
Space Other (Boston) 63 Wareham Street Boston 02118 www.spaceother.com

We gratefully acknowledge the support of the following sponsors: Candela Recordings, División 16 Contratistas, B. Fernández & Cía., Galería 356, Proyecto de Artistas, SunCom

We go in circles in the dark and are consumed by fire

Abel Auer
Nir Hod
Antonio Martorell
Steve Schepens
René Spitzer
Anke Wenzel

April 4th - 26, 2008
Opening Reception: Friday April 4th, 6-9 p.m.
Gallery Walk: Saturday April 5th, noon
Artist Talk: Antonio Martorell, Saturday April 26 at 1 p.m.

This last exhibition at the 63 Wareham Street gallery space poetically explores the Latin palindrome ‘In girum imus nocte et consumimur igni’ or ‘We go in circles in the dark and are consumed by fire’. This literary puzzle often called “the devil’s verse” can be read left to right or right to left.

The title is borrowed from that of a 1978 Guy Debord film which was meant to be his last one. Some interesting contemporary artworks draw -consciously or subconsciously - from ‘something missing’ that refuses to be a mere nostalgia for the ideas developed by an obscure ‘last avant-garde’ in the late 60’s and 70’s. But far from echoing or recycling strategies the works gathered and produced for this show seem to explore and connect us with ideas that are very close to a personal, organizational, and perhaps collective transitional moment.

For the next year Space Other abandons its sessile exhibition space in Boston’s South End and proceeds to develop a series of exhibitions under the umbrella title ‘space other at other spaces’, which will take place in non-traditional exhibition spaces in Amsterdam, Berlin, New York, and San Juan during the remainder of 2008. During the fall of 2006 we participated in an exhibition where we took over an empty store space in a commercial district in Hamburg for a month. This is the nomadic model to follow. A self published book compiling information on the 21 exhibitions and the many artists presented in Boston during the last three years should come out early this fall.

But going back to the upcoming show, the works have to do or convey an energy that moves us to search like moths at night, which can be sort of a curse, or a blessing or sickness that drives us to get too close to the fire and burn. The tone is grave, a bit somber, a recognition of life as passage, a recognition of ends, a dealing with impending doom, a healing patchwork out of a sinister, transforming detritus, a needed ritual.

The conditions that do not allow us to stop, the temptation of a radical withdrawal into private life, the evaporation of accumulated wealth, rumors of recession, deflation, stagflation, depression, a weak dollar, foreclosures, and an urge to get off are a common backdrop for the show.

To give all power to the imagination. What is more necessary but to remember why we need to be hard. Exploring an individual psychogeography by strolling aimlessly through different positions that have found resonance with a specific moment in time and space for a few who form a smooth fabric in a now possible urban landscape that is dispersed in many cities and countries and languages. A collective form of sociality that is threatened by surrounding inertia and lack of thought. (Recognize the power of the Empire and the need to engineer and nurture forms of resistance. Defend the emotionality of life in face of absolute control.) These are the loose associations that go behind it.

Overall, the exhibition aims to emphasize ideas of transformation and the eternal recurrence of life. For some of us reality is always changing, it is not a constant durable fiction. Thus, what is called for is a ‘revaluation of values’, a paying attention to the edge of the picture, ‘maintaining cheerfulness in the midst of a gloomy task’.

Albert Einstein once remarked that the important thing was not to understand, but simply attempt to communicate. Even if there is no way back to the Dionysian years of pure negation, and shit plugs are rapidly co-opted by an insatiable omnipresent market that reproduces, multiplies and cancels out every attempt to stage or try to burst the limits from within. To unavoidably take part but to at least throw a grain of sand into the engine that will accelerate the collapse of a foretold monstrosity of capital that is now morbidly obese.

‘In girum imus nocte et consumimur igni’ / ‘We go in circles in the dark and are consumed by fire’ includes different media: paintings, material constructions, a huge collage on a rug, drawings, a sculptural installation with french fries, and a series of video performances. The artists presented are: Abel Auer (bo. Munich 1974), Nir Hod (bo. Tel Aviv 1970), Antonio Martorell (bo. San Juan de Puerto Rico 1939), Steve Schepens (bo. Ghent 1979), René Spitzer (bo. Duesseldorf 1978), and Anke Wenzel (bo. Schwedt/Oder 1978).

Gamaliel R. Herrera
ingirumimusnocte.pdf

The New England Journal of Aesthetic Research, “Best of 2007”, by Greg Cook, 1/08/2008

Boston Globe, “Art Brought to the Edge”, by Kate McQuaid, 12/27/2007

Boston Globe, “Playing with Perception”, by Kate McQuaid, 12/6/2007

The New England Journal of Aesthetic Research, “Alexander Apostol” by Greg Cook, 10/27/2007

The New England Journal of Aesthetic Research, “Andrew Mowbray”, by Greg Cook, 6/29/2007

Boston Phoenix, “Under the sea”, by Greg Cook, 6/27/007

Big, Red and Shiny, “Andrew Mowbray @ Space Other”, by Matthew Nash, 6/13/2007

Big, Red and Shiny, “Big Red on the town”, 5/20/2007

The New England Journal of Aesthetic Research, “Erik Levine”, by Greg Cook, 5/10/2007

Big Red and Shiny, “A conversation with Femke Lutgerink”, by Maria Lecreta, 4/8/2007

Boston Globe, “Speaking Volumes about their work”, Ken Johnson, 3/18/2007

Big, Red and Shiny, “Artists Books:Transgression/Excess @ Space Other”, by Scott Alberg, 3/11/2007

Big, Red and Shiny, “2006 Year in Review”, by BIG RED, 1/15/2007

Big, Red and Shiny, “Big Red On-the-town: Around town with MIT and Friends of Boston Art”, 10/21/2006

Big, Red and Shiny, “Nina Lola Bachhuber @ Space Other”, by Micah Malone, 5/14/2006

Big, Red and Shiny, “Nayda Collazo-Llorens @ Space Other” by Thomas Marquet, 2/06/2006

Big, Red and Shiny, “Interview with Gamaliel Herrera”, by Micah Malone, 12/5/2005

Big, Red and Shiny, “Closer @ Space Other”, by Kathryn Ada Dutoit, 11/20/2005

Press Opening: Thursday, March 6, 5-7 pm
Opening Reception: Friday, March 7, 6–9 pm
Closing Reception: Saturday, March 22, 4-6 pm
Artist Talks: Thursday, March 13, 7-10 pm

Space Other is proud to host the performance-based exhibition Somewhere Felt, featuring seven artists from the graduate program of the School of the Museum of Fine Arts, and Tufts University in Boston: Chuck Chaney, Leighton Collier, Faith Johnson, Sean M. Johnson, Tara Hill, Vasia Markides and Richard Spartos.

In 2007, Space Other hosted the first group of SMFA graduate students to exhibit their work. Once again, Space Other would like to function as a platform for experimentation, production, and analysis of the works of art by seven M.F.A. candidates. By offering our space, curation, and critical analysis we worked together towards a group show, and as a final result of our collaboration, we are proud to present Somewhere Felt.

I want to do a piece where I go to the Alps and talk to a mountain. The mountain will talk of things which are necessary and always true, and I shall talk of things which are sometimes, accidentally true. Bas Jan Ader

This year’s graduate students are connected through their performance practices, presented in a variety of ways: from direct physical actions taking place during the exhibition towards projects where the performative element is under investigation through the use of other media such as video, photography, and the making of objects. The performance program of the SMFA has its base in visual art, and has its roots in art movements such as DADA and Fluxus. In this practice artists turn away from traditional narrative and theatrical plots, as for example becomes apparent in the work of the quoted artist Bas Jan Ader. Direct interaction with the audience is important, even when the action is mediated by a screen or another medium. Time and space are crucial elements in performance-based work. The students work in this tradition; but not so much to oppose the existing art system as artists tended to do in the early days. Rather, it is used here as a medium to pursue personal stories, and to engage the audience in their journey. Untangling family histories and the notion of home, revealing ‘dreams’ of society in connection with daily reality and the transformation of the physical are common threads in their work. The group seems to function as a small community, where critical (yet respectful) reflection towards each others work is essential. This is an important trait and shields against a world where the production of commodities and other goods is highly valued.

The artists in Somewhere Felt are grateful for the support of the faculty members of the SMFA graduate program, and of one in particular. They all took part in the advanced performance class of performance artist and Mobius, Inc. founder Marilyn Arsem. She very much inspired and encouraged the students to find their own voice and their own community by challenging their performative skills. Even though some of the artists eventually took up other media to tell their stories, these art works bare the traces of a performance practice. To give an insight in the performance world and teaching methods of Marilyn Arsem, an interview will be published as an accompanying text to the show.

Femke Lutgerink
Associate Curator of Space Other

press_somewherefelt_artiststexts.pdf
up-to-the-present-time-and-beyond_text-about-marilyn-arsem.pdf

Somewhere Felt was possible thanks to the support of the School of the Museum of Fine Arts and Tufts University, Boston.

Born 1973, Blue Hill, Maine. Lives and works in New York City.

EDUCATION

Massachusetts Institute of Technology, Cambridge, MA 2006
Visual Arts Program, Department of Architecture
SMViss, Visual Arts
Cornell University, Ithaca, NY 1996
College of Architecture, Art and Planning
BFA, Painting and Multimedia
FAMU - National Academy of Film and Television, Prague, Czech Republic 1994

HONORS, AWARDS & POSTS

IV Edición del Premio Internacional de Pintura de Castellón, Spain, 2007

Laya And Jerome B. Wiesner Student Art Awards, MIT, 2006

Harold and Arlene Schnitzer Prize in the Visual Arts, MIT, 2006

MIT Council for the Arts, 2005

INDIVIDUAL EXHIBITIONS

2007 Oliver Lutz, ArtPace, San Antonio Texas (forthcoming)

GROUP EXHIBITIONS

2007
Oliver Lutz and Vargas-Suarez Universal, Space Other, Boston
W¸rttembergischer Kunstverein Stuttgart
“Artists’ Books: Transgression/Excess”, Space Other, Boston

2006
Wight Biennial: The Anxiety of Influence, Wight Gallery, Broad Art Center, Los Angeles, CA
A Forest II, Space Other, Boston
Spektakel Stadt, W¸rttembergischer Kunstverein Stuttgart
A Forest I, FILTER Hamburg
Towne Center, Greenport Towne Center, Greenport, NY
Kamp K48, John Connelly Presents, New York, NY
6: Six artists from the MIT Visual Arts Program 2006, Space Other, Boston, MA
Harold and Arlene Schnitzer Prize in the Visual Arts, MIT, Cambridge, MA

2005
Kults, Werewolves, and Sarcastic Hippies, Yerba Buena Center for the Arts, San Francisco, CA
Avalanche Rescue (Lecture) for Come Together, By Harrell Fletcher
Apex Art, New York, NY

2004
A More Perfect Union, Max Fish, New York, NY
Pool Art Addict Fair, The Scene Gallery, Four Points - New York, NY
Heimat, The Future Perfect - Brooklyn, NY
Frustum: Sniper, The Creek Hotel - Signature Series 1, Miami, FL

BIBLIOGRAPHY

Mcquaid, Cate, Boston Globe, December 2007
TAZ, August, Germany 2006
SZENE, August, Germany 2006
PLAN, August, MIT Journal 2006
GAP Japan 2004
V Magazine 2003
Casa Vogue Magazine 2000
Msnbc 1998

Born in San Juan Puerto Rico 1968. Lives and works in New York City.

EDUCATION

MFA 2002 New York University
BFA 1990 Massachusetts College of Art

SELECTED INDIVIDUAL EXHIBITIONS

2007 Route/Journal LMAK Projects, New York

2006 Mindscapes, Space Other, Boston, MA

Roaming, CSV Cultural Center, New York, NY

2005 Configuraciones, Galería Raíces, San Juan, PR

2003 Simultáneo, Galería Raíces, San Juan, PR
10 abril 03, public intervention, Galería Raíces, San Juan, PR

2001 Memoria, Juegos y Códigos, Galería Raíces, San Juan, PR

TWO-PERSON EXHIBITIONS

2005 Link, Philosophy Box, New York, NY
Nayda Collazo-Llorens and Santeri Tuori, Location One, New York, NY

2004 RT:PR [Road Trip: Puerto Rico] Selected Works, Lemmerman Gallery, New Jersey City University, NJ (in collaboration with Leticia Stella-Serra)

SELECTED GROUP EXHIBITIONS

2007 12th International Media Art Biennale WRO ‘07, Wroclaw, Poland

IX Bienal Internacional de Cuenca, Cuenca, Ecuador

Artists’ Books: Transgression / Excess, Space Other, Boston

Contexto puertorriqueno: del rococo colonial al arte global, Museo de Arte de Puerto Rico, San Juan, PR

2006 Re/Tratos, F(R)icciones, Video-arte Puertorriqueño Vol. 2 & 3, Antiguo Arsenal de la Marina, San Juan, PR

2005 Loop Video Art Festival 05, Barcelona, Spain
Rewind Rewind Video-arte Puertorriqueño Vol. 1, Antiguo Arsenal de la Marina, San Juan, PR
Art Noise, 80 Washington Square East Galleries, New York, NY
Video:series, Goliath Visual Space, Brooklyn, NY
None of the Above: Contemporary Works by Puerto Rican Artists, Museo de Arte de Puerto Rico, San Juan, PR
I Love Art Video, screening, Museum of Modern and Contemporary Art of Strasbourg, France
VI Certamen Nacional, Museo de Arte Contemporáneo, San Juan, PR

2004 Peekskill Project, site-specific event, Peekskill, NY
¡Impresionante! Innovative Prints by Contemporary Puerto Rican Artists, International Print Center New York, NY
La Marginal, Centro Cultural de España, Lima, Peru
None of the Above: Contemporary Works by Puerto Rican Artists, Real Art Ways, Hartford, CT

2003 Libertad y Riesgo, Permanent Collection Part 1, Museo de Arte Contemporáneo, San Juan, PR
Video Crossings, About Cafe Gallery, Bangkok, Thailand
On Paper, Elizabeth Leach Gallery, Portland, OR

2002 Painting as Paradox, Artists Space, New York, NY
First Time Out: All Over Again, Center for Visual Art + Culture, Stamford, CT
Metropolis, Art Chicago, Chicago, IL
Digital Sample, Elizabeth Leach Gallery, Portland, OR
V Certamen Nacional, Museo de Arte Contemporáneo, San Juan, PR
MFA Thesis Exhibition, 80 Washington Square East Galleries, New York University, NY
Here & There: Six Artists from San Juan, Blaffer Gallery, University of Houston, TX

2001 Here & There: Six Artists from San Juan, Museo del Barrio, New York, NY
Salón de Instalación Gráfica, Bienal de San Juan, Museo de Las Américas, San Juan, PR
El Arte Puertorriqueño a Través del Tiempo, Museo de Arte de Puerto Rico, San Juan, PR
Bienal de Arte Joven, Museo de Arte de Ponce, Ponce, PR
Entre Líneas, Palacio de Bellas Artes, Santo Domingo, RD and other venues in the Caribbean
Donut Shop 3: Domesticity, Intervention-alternative venue, Portland, Oregon
San Juan de Grabado Latinoamericano y el Caribe, San Juan, PR

GRANTS / AWARDS / RESIDENCIES

2006 Grant, the Urban Artist Initiative, New York, NY

2005 Artist in Residence, Location One, New York, NY

2004 Award, Best Show of Year 2003 in a Commercial Gallery, Association of Art Critics, PR Chapter, San Juan, PR

2002 Award, V Certamen Nacional, Museo de Arte Contemporáneo, San Juan, PR
Award, Best Show of Year 2001 in a Commercial Gallery, Association of Art Critics, PR Chapter, San Juan, PR
Award, Jack Goodman Award for Art and Technology, New York University, NY

2001 Award, Bienal Arte Joven, Museo de Arte de Ponce, Puerto Rico

SELECTED BIBLIOGRAPHY

Fuentes, Elvis. “Nayda Collazo-Llorens, Configuraciones”. Art Nexus. No 60. Mar-May 2006. p 149-150.
Cotter, Holland. “None of the Above: Contemporary Work by Puerto Rican Artists”. The New York Times. 4 June 2004. p E31.
Ottmann, Klaus. “None of the Above”. Art US. 4 September 2004.
Rosoff, Patricia. “Home Improvement: Nineteen Puerto Rican artists show us some irreverence”. Hartford Advocate. 27 May 2004.
Velez, Pedro. “Puerto Rican Sun”. ArtNet. 2003. http://www.artnet.com/Magazine/reviews/velez/velez12-15-03.asp
Venegas, Haydée. “Viaje por un mundo alucinado”. El Nuevo Día. [San Juan] 20 agosto 2003. Arte y Cultura p 28.
Pérez Rivera, Tatiana. “Collazo en canales simultaneous”. El Nuevo Día. [San Juan] 4 agosto 2003. Arte y Cultura p 17.
Rodríguez, Jorge. “Simultaneidad de medios y arte total”. El Vocero. [San Juan] 4 agosto 2003. p E18

Born 1972 Karlsruhe, Germany . Lives in Hamburg.

EDUCATION

1997-04 Studied Fine Arts (C.Böhmler), HfbK Hamburg
1996-97 Studied Philosophy at Humboldt-University, Berlin
1995-96 Studied Business Administration at FHTW Berlin

INDIVIDUAL EXHIBITIONS

2007: “Lächler” Galerie Olaf Stüber, Berlin

SELECTED GROUP EXHIBITIONS

2008
“Expanded Painting“, curated by Paco Barragan, Space Other (Boston)

2007
“So fern. So nah” Kunstverein Glückstadt
“Stipendiaten des Hamburger Arbeitsstipendiums”, Kunsthaus, Hamburg
“Whow-wau”, Galerie Brachmanns Galeron, Hamburg
“INSERT 1: who”, Kunstverein Hamburg
“transgression/ excess”, Space Other, Boston

2006
“Common Sense”, Ausstellungsraum 25, Zürich
“Afrique il y a foi – Africa everything is o.k.” Gintersdorfer/ Klaßen, Dirk Meinzer, Henrik Schrat, Galerie Olaf Stüber, Berlin
“Terrain Vague –Wheelie” Kunstverein, Bonn

2005
“Vom Pferd erzählen“, Kunsthalle Göppingen
“Sirenenheime im schwarzen und weißen Jonathan Meese-Foyer“ Volksbühne, Berlin
“Arbeitsstipendium der Stadt Hamburg“, Kunsthaus, Hamburg
“Don´t accept manana“, Kunstverein Braunschweig
“re/escape”, (Organisation und Teilnahme) temporäre Kunstprojekte im öffentlichen Raum, Hamburg
“microscopium“, message salon, Zürich
“Mami Wata’ s easy-easy foundation“, Kunst und Kultur in der Hafencity, Hamburg
Reykjavik Art Festival, Dieter Roth Akademie, Island
“Sirenenheime II”, Agentur für zeitgenössische Kunst, Hamburg

2004
“Bin schon weg“, Galerie Nomadenoase, Hamburg
“Sirenenheime”, Diplom, HfBK Hamburg
“Schnelle Truppe”, Ausstellungsraum Taubenstraße, Hamburg
“Kunstlichtkongress“, Ausstellungsraum Walcheturm, Zürich
“Dieter Roth Academy and friends”, St. Petri, Lübeck
Reisestipendium der Studienstiftung des deutschen Volkes für (7 Monate künstlerische Feldforschung), Tansania
Zweijähriges Begabtenförderstipendium der HfBK Hamburg

2003
“Paradiesgärtenschau”,Ebene 14, Hamburg
“Sirenentränen”, Ausstellungsraum Taubenstraße/ hotel belville, London
“Saturnopticum”, Taubenstrasse/ Kunstverein Harburg
“transgression/exces” Theaterproduktion mit Malte Ubenauf, Kampnagel Hamburg

2002
Dieter Roth Akademie, Atelier Dieter Roth, Reykjavik
“instantart”: carartsaloon, flying pieces, callanartwork, Pate mitTjorg Beer, artgenda, Hamburg
“Endlichter”, Künstlerhaus Weidenallee, Hamburg

2001
Stipendium der Studienstiftung des deutschen Volkes “German Leitkultur”, Kunsthalle Fridericianum, Kassel
“re-mir”, borey-art gallery, St.Petersburg
“re-mir II”, art agents gallery, Hamburg
“Schwindel”, Ausstellungsraum Taubenstrasse, Hamburg
“easy-easy foundation/ Brüten”, Galerie 88, Hamburg

2000
“Mikrokulturen II”; Initiator für Gruppenausstellung, Künstlerhaus Weidenallee, Hamburg
“Wer zu lange in die Sonne schaut…”, Ausstellungsraum Taubenstrasse, Hamburg

1999
“1. Mikrokulturen”; Initiator für Gruppenausstellung, ausgezeichnet mit dem Dietze-Preis, HfbK Hamburg (www.mikrokulturen.de)

Lives and works in Boston, MA.

EDUCATION
1998 M.F.A. Cranbrook Academy of Art, Bloomfield Hills, Michigan
1995 B.F.A. Maryland Institute College of Art, Baltimore, Maryland

INDIVIDUAL EXHIBITIONS
2007 Andrew Mowbray, Space Other, Boston
2005 Just for Men, Boston Center for the Arts, Mills Gallery, Boston

SELECTED GROUP EXHIBITIONS

2007
Particulars Diet Gallery, Miami

2006
Artist’s Resource Trust, Trustman Art Gallery,Simmons College, Boston MA.
Mass 3D, The Boston Sculptors Gallery, Boston, MA.
Pattern Language: Clothing as Communicator, Krannert Art Museum, University of Illinois, Champaign, IL. University Art Museum, University of California, Santa Barbara Frederick R. Weisman Museum, University of Minnesota, Minneapolis

2005
I Protest, Hall Space, Boston, MA.
Pattern Language: Clothing as Communicator ,Tufts University Gallery, Medford, MA
Flights of Fancy, The Art Complex Museum, Duxbury, MA
boys life, Space Gallery, Portland, ME.
The Sportsman Redux, Institute of Contemporary Art, Maine College of Art, Portland, ME.
boys life, Evos Art Center, Lowell, MA.

2004
Faculty Show, Clark University, Worcester, MA.
boys life, Untitled(space), Artspace, New Haven, CT
Japan-o-Rama, ArtSpace @ 16, Malden MA.
The Russian Doll Show, Green Street Gallery, Jamaica Plain, MA
The 18th Drawing Show, Mills Gallery, Boston Center for the Arts, Boston, MA
Wile, Lillian Imming Gallery, Emanuel College, Boston, MA

2003
Underground Studios VI, Jewett Art Gallery, Wellesley College, Wellesley, MA
15×15, Maryland Institute College of Art, Baltimore, Maryland
Small Works, Attleboro Museum, Attleboro MA.
The Entertainment Show, The Jorge Hernandez Cultural Center, Boston, MA.

2002
in our nature, Judi Rotenberg Gallery, Boston, MA
New Art 2002, MPG, Boston, MA
The Experiment Show, The Revolving Museum, Boston, MA

GRANTS/AWARDS

2005 The Artist’s Resource Trust Fund of the Berkshire Taconic Community Foundation
2005 Massachusetts Cultural Council, for sculpture/installation
2004 LEF Foundation New England
2003 Vermont Studio Center, artists grant

BIBLIOGRAPHY

November/December, 2005, Nigrosh, Leon, arts MEDIA, When Clothes Make the Artist

issue 27, 2005, Holland, Christian, Big Red and Shiny, Pattern Language @ Tufts

Friday, September 2, 2005, Hopkins, Randi, The Providence Phoenix, The naked, the dead, and the fully clothed

August/September, 2005, Fensterstock, Laura, Art New England, spotlight reviews, Maine, Back From Nature: The Sportsman Redux

Friday, July 1, 2005, Hopkins, Randi, The Boston Phoenix, Back to the Garden ‘Sifting the inner Belt’ and ‘Just for Men’

July 2005 Volume I, Martin, Beth, someothermagazine.com, Just For Men, An Installation by Andrew Mowbray

Friday, June 17, 2005, Dodero, Camille, The Boston Phoenix, The Human Mop

February, 25, 2005, McQuaid, Cate, The Boston Globe, Simply Boys

December 2004 Volume I, Taddeo, Cas, someothermagazine.com, 150 x 150 Mad Dash for Art Sale at the Gallery @ Green Street

Sunday, September 5, 2004, Birke, Judy, The New Haven Register, A boys’ world, seen through a man’s lens

Friday, Februrary 13, 2004, Millis, Christopher, The Boston Phoenix, The BCA’s 18th ‘Drawing Show’ and Emmanuel College’s ‘Wile’

Friday, February 6, 2004, McQuaid, Cate, The Boston Globe, Fort Point lines up unique works on the cutting ‘Edge’

Sunday, February 1, 2004, McQuaid, Cate, Boston Sunday Globe, At ’The Drawing Show,’ works literally leap off the page

Sunday, January 27, 2002, Kaufman Hayley, Boston Sunday Globe, Making the scene once more

Born in Sao Paulo, Brazil 1963
Lives and works in New York City

EDUCATION

2003-2005 MFA at Frank Mohr Instituut, Groningen, The Netherlands
2000-2002 BA in arts at Empire State College (SUNY)
1993-1997 Open ateliers of painting at The Art Students League, New York
1992 Art Education, Universidade Estacio de Sa, Rio de Janeiro

INDIVIDUAL EXHIBITIONS

2007 (trans-) , Space Other, Boston

SELECTED GROUP EXHIBITIONS

2007
Firehouse Gallery, Nassau Community College, New York

2006
Assemblage, Space Other, Boston
Space Other at Circa ’06, San Juan, Puerto Rico
Kusntvlaai 6 , Amsterdam, The Netherlands

2005
Grote Kerk van Lochem, The Netherlands

2000
Cork Gallery at Lincoln Center, New York
Noho Gallery, New York
International Communication Design Exhibition, Seoul

1999
Lineart Flander Expo, Gent, Belgium
Imaginaria Arti Visivi Gallery, Florence, Italy

1998
Logge Bufalini, Cita di Castelo, Italy
Gallery Korea, New York